7 Reasons to Read THE SOUND AND THE FURY

William Faulkner’s classic novel The Sound and the Fury holds a special place in my heart as the first book I was ever assigned to read in college. Needless to say, we were all quite confused in my Introduction to Literature class. Why was Benjy also named Maury? Who were all of these different narrators? What happened to Quentin? And why were there suddenly two people named Quentin? We were fortunate enough to have a patient professor who answered these and countless other questions that we hurled at him. Gradually I came to realize and appreciate the brilliance of the novel and I promised myself that I would pick it up again someday.

Little did I know that day would come two years later as I was preparing for my Oxford tutorials.  Rereading The Sound and the Fury magnified my appreciation of it tenfold. Now that I understood the basic plot, I could focus more on the characters, language, and structure of the novel. This experience encapsulates why I love to reread books, especially ones as complex and intense as those that Faulkner writes.

In an attempt to spread my love for this novel, here are seven reasons why you should read The Sound and the Fury:

1 || Yoknapatawpha County. This novel is a great introduction to Yoknapatawpha County, the fictional county in Jefferson, Mississippi in which many of Faulkner’s novels and short stories take place.

2 || Narrative structure. With multiple narrators, narration styles, and dates, this story is bound to make your head spin at times (which might sound awful, but it’s actually really thought-provoking and fascinating and fun).

3 || It’s like a jigsaw puzzle. Reading this novel is like putting together an enormous jigsaw puzzle without knowing what the final product is supposed to look like. Faulkner drops bits and pieces of information throughout the story, leaving the reader to make sense of the details. It feels amazing when you finally feel like you understand another aspect of the story!

4 || Names. One of the things that fascinates me about The Sound and the Fury (and Faulkner’s texts in general) is the immense power and importance of names. An obvious example is Maury, who is renamed Benjamin (shortened to Benjy) because his mother feels as though it is a better Christian name.

5 || Faulkner’s writing. It’s difficult to explain the beauty and brilliance of Faulkner’s writing—it’s much better to actually read it for yourself. (Trust me, it’s worth it.)

6 || Memorable characters. From independent Caddy and patient Dilsey to sorrowful Quentin and fiery Quentin, Faulkner’s characters are not easily forgotten. There are so many characters in this novel, yet they all have such interesting pasts and multifaceted personalities.

7 || It’ll make you think. The Sound and the Fury is a book that I could read over and over again and still walk away with something new to chew on until the next time I read it. Gender, race, class, growing up, time, truth, family, identity—you name it and Faulkner has discussed it!

Have I convinced you yet? What are your thoughts on The Sound and the Fury? What’s your favorite novel by Faulkner? Have any recommendations? Let me know in the comments section below!

Yours,

HOLLY

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BRAVE NEW WORLD by Aldous Huxley | Review

Sometimes it seems as though certain books will never leave your TBR… until you finally force yourself to check them out of the library and read them in one sitting!

This was my situation with Brave New World by Aldous Huxley, a classic novel set in London during the year 2540. I’ve been intrigued by the synopsis ever since reading George Orwell’s 1984 a few years ago, yet for some reason I never got around to reading it until recently. (Was it Watsky’s song “Brave New World” that finally pushed me to action? Perhaps.)

Brave New World surprised me with its witty humor and snark. Of course, it’s incredibly dark humor– children are treated as mere numbers and essentially brainwashed into conforming to societal norms– but there are certainly ridiculous parts that made me laugh out loud. It’s precisely these moments of laughter when I realized the brilliance of this novel: it makes you realize that some elements of Huxley’s fictional society are also present in our modern reality. Many of us would rather be entertained and distracted rather than face actual problems that must be solved. Sometimes we treat relationships as a means to our own pleasure rather than a mutual connection between two people. We crave comfort, familiarity, and ease while simultaneously yearning for something more. Above all, we avoid things that are uncomfortable, painful, and unpleasant.

“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”

Throughout the novel Huxley emphasizes the importance and value of hard work, perseverance, and taking chances. The argument is that when everything comes quickly and easy to everyone, the value of things, people, and ideas are soon lost.

“The Savage nodded, frowning. “You got rid of them. Yes, that’s just like you. Getting rid of everything unpleasant instead of learning to put up with it. Whether ’tis better in the mind to suffer the slings and arrows or outrageous fortune, or to take arms against a sea of troubles and by opposing end them…But you don’t do either. Neither suffer nor oppose. You just abolish the slings and arrows. It’s too easy.”

…”What you need,” the Savage went on, “is something with tears for a change. Nothing costs enough here.”

As the facade fades away, the reader realizes that what appears to be a utopian world is actually a dystopian society masked in false promises and illusions. I love Brave New World for the way it makes you think about our own society and what we value in our lives today. It’s interesting to think about how this novel was first published in 1932 yet it’s still relevant almost a century later. To me, this endurance is the definition of a classic.

My only regret is not having read this book sooner. I highly recommend it to anyone and everyone!

What are your thoughts on Brave New World? Have any recommendations of similar books? Let me know in the comments section below!

Yours,

HOLLY

DRACULA by Bram Stoker | Review

Sometimes I reread books and love them even more the second time around.

Bram Stoker’s Dracula is not one of those books.

When I read it for the first time a few years ago I enjoyed it, though it wasn’t something I ever thought I would willingly read again. (And I was right: I read it again not because I wanted to but because my required reading list told me to.) I remember wishing that Count Dracula played a larger role in the story beyond the first one hundred pages or so and that the novel in general would have been a bit shorter.

I agree with you wholeheartedly, Holly of the past.

Dracula frustrates me for a number of reasons. The absence of Count Dracula through the majority of the book is disappointing. The plot is needlessly convoluted and the pacing is too slow. At first I liked how the story is told through journal entries and letters, but as I read on I realized that this style of narration was preventing the novel from moving at a faster speed. It also felt as though I was being told the same ideas and plot points three or four times after reading about it from all of the different characters’ perspectives. After a while most of the journal entries and letters felt really redundant.

This book is also frustrating due to the prior knowledge we have about the story before we even open to the first page. We know that Count Dracula is a vampire from cultural context, meaning that the surprise is completely taken away. When Lucy becomes sick later on in the novel it’s immediately obvious that vampires are the cause, yet it takes hundreds of pages for the characters to come to that same conclusion. In a strange way, reading Dracula felt like reading a story that I’ve known my whole life.

I understand why Dracula is an iconic novel and I appreciate it for being a well-written and meticulously crafted book; however, it’s simply not something that I find engaging, entertaining, or enjoyable to read.

What are your thoughts on Dracula? Have any spooky reading recommendations for the Halloween season? Let me know in the comments section below!

Yours,

HOLLY

A Classic Couple: The Turn of the Screw and We Were Liars

In a past Top Ten Tuesday post I shared pairs of classic and contemporary novels that I saw parallels between. One of the spookiest pairs is Henry James’ The Turn of the Screw (1898) and E. Lockhart’s We Were Liars (2014). These books are take place in very different time periods, settings, and under unusual circumstances; however, there are nevertheless several interesting similarities between them.

Short Length || The Turn of the Screw is actually considered a novella and We Were Liars is only 240 pages long, making these perfect for when you need a quick read. It’s impressive how much of an impact these stories can leave in such a small number of pages.

Isolation || Both of these stories take place under circumstances that lack communication with others. In The Turn of the Screw, the new governess is told that she should not contact her employer (the uncle of the children she cares for). Isolation is much more physical for Cadence because she spends each summer on her family’s private island, disconnected from the mainland.  This separation from society allows unusual events to keep occurring without hindrances.

Suspense || These books are PAGE-TURNERS. I read We Were Liars in one sitting and The Turn of the Screw in two. Though the latter has a slower past, the question of what is going to happen next looms overhead the entire time you’re reading.

Ghosts || I’m not going to talk about this aspect in great detail because I don’t want to give away any huge spoilers. Though ghosts serve different functions in these stories, they’re nevertheless add fascinating twists.

Fantasy vs. Reality || What I love about these stories is that it’s often difficult to identify what is fantasy and what is reality. The distinction is fairly clear at the very end of We Were Liars, but I was still confused when I finished reading The Turn of the Screw. I feel as though part of Henry James’ goal in writing this novella is to blur the line between fact and fiction, forcing the reader to really pay attention to every little detail.

Shocking Endings || I never saw either of these endings coming! I’ve read a lot of mixed reviews of We Were Liars in which readers criticize the conclusion for being predictable and unoriginal, but I honestly never guessed what would happen. I think it has a lot to do with what other content you’ve been exposed to; for instance, if you’ve watched a movie with a similar ending before, then you’re more likely to have seen the ending of the book coming well in advance.

What are your thoughts on these books? Are there other books that share these similarities? Have any recommendations? Let me know in the comments section below!

Yours,

HOLLY

WUTHERING HEIGHTS by Emily Brontë | Review

I’ll admit that when I first read Wuthering Heights a few years ago I wasn’t very impressed. The characters were ridiculously melodramatic, the names were confusing, and there seemed to be no point to this dark, tumultuous novel. However, recently reading it again for one of my courses has made me question my initial impressions. They say that some things get better with age; for me, Emily Brontë’s classic novel Wuthering Heights certainly falls into that category.

First, I am fascinated by the layered narration through which Emily tells her story within a story. Initially the reader is led to believe that Mr. Lockwood, Mr. Heathcliff’s most recent tenant, will be narrating the novel; however, one soon realizes that we are told the story by Nelly Dean through the ears of Mr. Lockwood. This layered narration adds depth and context to the story of Cathy and Heathcliff. Reading Wuthering Heights almost feels as though you are being read an unsettling bedtime story that will surely give you nightmares nights to come.

Since I had already read this book once before, I now had the luxury of reading it again without having to worry about understanding the basic plot. (Also, pro tip: creating character maps beforehand is a life saver!) Instead, I could now focus on the characters themselves and the motivations behind their behavior. Rather than be frustrated by their melodramatic tendencies, I started to admire how Emily had crafted such memorable characters that reflected and interacted with their surroundings in such interesting ways. Wuthering Heights and Thrushcross Grange seemed almost more like characters than locations, influencing what occurred within their formidable walls.

Heathcliff caught my attention in particular; as I’m sure he does for many readers. I began to notice that most descriptions of his appearance, demeanor, and actions portray him more as an animal than a man. He is wild, savage, ruthless, and lacks any semblance of tact, courtesy, and empathy. Yet why is it that I still felt bad for this cruel “creature”? Emily’s ability to foster a connection between the reader and Heathcliff is one of the many brilliant aspects of this novel. Heathcliff may be rude and violent and unpredictable, but he is still human. The image of Heathcliff as a maltreated young orphan never quite goes away.

I wouldn’t say that Wuthering Heights is an enjoyable novel to read; rather, it is endlessly fascinating, engaging, and thought-provoking. I appreciate this text for challenging me as a reader and making me think about connections between characters, settings, and language more deeply; however, it’s not something I would choose to pick up on a whim or bring along with me for a relaxing day at the beach. I’m so glad I had the opportunity to read this novel again and I can even see myself picking it up for a third time in the future.

What are your thoughts on Wuthering Heights? Do your opinions of novels change when you reread them? Have any recommendations of what I should read next? Let me know in the comment section below!

Yours,

HOLLY

A Classic Couple: Jane Eyre and Jellicoe Road

A while ago I made a post sharing some classic and contemporary pairs and since then I’ve been explaining each pair week by week. Today I’ll be delving deeper into one of my favorite classic couples: Charlotte Brontë’s Jane Eyre and Melina Marchetta’s Jellicoe Road. As you likely already know by now from the countless times I’ve mentioned them on this blog, these are two of my favorite books. Now it’s time to compare them!

Protagonists || Despite the decades that separate them, there are actually many similarities between Jane Eyre and Taylor Markham. Both young women are independent, clever, and resilient. They’re also both orphans: Jane’s parents died of typhus while Taylor’s mother abandoned her at a Seven Eleven when she was eleven years old. The two girls end up being cared for by institutions (the Lowood Institution and the Jellicoe School). Both end up leaving their institutions eventually (though with varying degrees of success).

Love Interests || How could we not discuss Mr. Rochester and Jonah Griggs? Though these men seem disagreeable at first, they are actually sensitive and caring (can’t escape that romance trope!). Though their budding relationships are certainly dramatic at times, it’s nevertheless really fun to read about them.

Hidden Pasts || Jane and Taylor grapple with secrets from the past, both in their own lives and in those of others. Mystery appears early on in Jellicoe Road as Taylor reads the manuscript Hannah has been writing for years. Over time Taylor pieces together the sections that are written out-of-order; however, she doesn’t realize the full implications of the story until much later. For Jane, the mystery comes in the form of secrets she learns about Mr. Rochester’s past. It seems as though everyone has a little something to hide.

Personal Growth || The character development in Jane Eyre and Jellicoe Road is remarkable. We follow Jane as she matures from a little girl into a young woman and Taylor as she comes to understand her own identity and the person she wants to be. Not only are these women brave, resilient, and determined, but they are also kind, caring, and thoughtful by the end of these novels. Brontë and Marchetta didn’t sacrifice softness for strength, which is something I greatly admire.

What are your thoughts on these books? Are there any other books that share these qualities? Have any recommendations? Let me know in the comments section below!

Yours,

HOLLY

Rory Gilmore Reading Challenge | Update 1

Nearly a year ago I posted my introduction to the Rory Gilmore reading challenge, which I had completely forgot about until recently when I stumbled across another list online somewhere. Curious to see where I’m at with the list now, I’ve decided to share my first update!

In alphabetical order, the 339 texts are:

1984 by George Orwell
The Adventures of Huckleberry Finn by Mark Twain
Alice in Wonderland by Lewis Carroll 
The Amazing Adventures of Kavalier & Clay by Michael Chabon
An American Tragedy by Theodore Dreiser
Angela’s Ashes by Frank McCourt
Anna Karenina by Leo Tolstoy
Anne Frank: The Diary of a Young Girl by Anne Frank
Archidamian War by Donald Kagan
The Art of Fiction by Henry James
The Art of War by Sun Tzu
As I Lay Dying by William Faulkner
Atonement by Ian McEwan
Autobiography of a Face by Lucy Grealy
The Awakening by Kate Chopin
Babe by Dick King-Smith
Backlash: The Undeclared War Against American Women by Susan Faludi
Balzac and the Little Chinese Seamstress by Dai Sijie
Bel Canto by Ann Patchett
The Bell Jar by Sylvia Plath
Beloved by Toni Morrison
Beowulf: A New Verse Translation by Seamus Heaney
The Bhagava Gita
The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy
Bitch in Praise of Difficult Women by Elizabeth Wurtzel
A Bolt from the Blue and Other Essays by Mary McCarthy
Brave New World by Aldous Huxley
Brick Lane by Monica Ali
Bridgadoon by Alan Jay Lerner
Candide by Voltaire
The Canterbury Tales by Chaucer
Carrie by Stephen King
Catch-22 by Joseph Heller
The Catcher in the Rye by J. D. Salinger
Charlotte’s Web by E. B. White
The Children’s Hour by Lillian Hellman
Christine by Stephen King
A Christmas Carol by Charles Dickens
A Clockwork Orange by Anthony Burgess
The Code of the Woosters by P.G. Wodehouse
The Collected Short Stories by Eudora Welty
The Collected Stories of Eudora Welty by Eudora Welty
A Comedy of Errors by William Shakespeare
Complete Novels by Dawn Powell
The Complete Poems by Anne Sexton
Complete Stories by Dorothy Parker
A Confederacy of Dunces by John Kennedy Toole
The Count of Monte Cristo by Alexandre Dumas père
Cousin Bette by Honor’e de Balzac
Crime and Punishment by Fyodor Dostoevsky
The Crimson Petal and the White by Michel Faber
The Crucible by Arthur Miller
Cujo by Stephen King
The Curious Incident of the Dog in the Night-Time by Mark Haddon
Daisy Miller by Henry James
Daughter of Fortune by Isabel Allende
David and Lisa by Dr Theodore Issac Rubin M.D
David Copperfield by Charles Dickens
The Da Vinci -Code by Dan Brown
Dead Souls by Nikolai Gogol
Demons by Fyodor Dostoyevsky
Death of a Salesman by Arthur Miller
Deenie by Judy Blume
The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson
The Dirt: Confessions of the World’s Most Notorious Rock Band by Tommy Lee, Vince Neil, Mick Mars and Nikki Sixx
The Divine Comedy by Dante
The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells
Don Quijote by Cervantes
Driving Miss Daisy by Alfred Uhrv
Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson
Edgar Allan Poe: Complete Tales & Poems by Edgar Allan Poe
Eleanor Roosevelt by Blanche Wiesen Cook
The Electric Kool-Aid Acid Test by Tom Wolfe
Ella Minnow Pea: A Novel in Letters by Mark Dunn
Eloise by Kay Thompson
Emily the Strange by Roger Reger
Emma by Jane Austen
Empire Falls by Richard Russo
Encyclopedia Brown: Boy Detective by Donald J. Sobol
Ethan Frome by Edith Wharton
Ethics by Spinoza
Europe through the Back Door, 2003 by Rick Steves
Eva Luna by Isabel Allende
Everything Is Illuminated by Jonathan Safran Foer
Extravagance by Gary Krist
Fahrenheit 451 by Ray Bradbury
Fahrenheit 9/11 by Michael Moore
The Fall of the Athenian Empire by Donald Kagan
Fat Land: How Americans Became the Fattest People in the World by Greg Critser
Fear and Loathing in Las Vegas by Hunter S. Thompson
The Fellowship of the Ring by J. R. R. Tolkien
Fiddler on the Roof by Joseph Stein
The Five People You Meet in Heaven by Mitch Albom
Finnegan’s Wake by James Joyce
Fletch by Gregory McDonald
Flowers for Algernon by Daniel Keyes
The Fortress of Solitude by Jonathan Lethem
The Fountainhead by Ayn Rand
Frankenstein by Mary Shelley
Franny and Zooey by J. D. Salinger
Freaky Friday by Mary Rodgers
Galapagos by Kurt Vonnegut
Gender Trouble by Judith Butler
George W. Bushism: The Slate Book of the Accidental Wit and Wisdom of our 43rd President by Jacob Weisberg
Gidget by Fredrick Kohner
Girl, Interrupted by Susanna Kaysen
The Gnostic Gospels by Elaine Pagels
The Godfather: Book 1 by Mario Puzo
The God of Small Things by Arundhati Roy
Goldilocks and the Three Bears by Alvin Granowsky
Gone with the Wind by Margaret Mitchell
The Good Soldier by Ford Maddox Ford
The Gospel According to Judy Bloom
The Graduate by Charles Webb
The Grapes of Wrath by John Steinbeck
The Great Gatsby by F. Scott Fitzgerald
Great Expectations by Charles Dickens
The Group by Mary McCarthy
Hamlet by William Shakespeare
Harry Potter and the Goblet of Fire by J. K. Rowling
Harry Potter and the Sorcerer’s Stone by J. K. Rowling
A Heartbreaking Work of Staggering Genius by Dave Eggers
Heart of Darkness by Joseph Conrad
Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry
Henry IV, part I by William Shakespeare
Henry IV, part II by William Shakespeare
Henry V by William Shakespeare
High Fidelity by Nick Hornby
The History of the Decline and Fall of the Roman Empire by Edward Gibbon
Holidays on Ice: Stories by David Sedaris
The Holy Barbarians by Lawrence Lipton
House of Sand and Fog by Andre Dubus III
The House of the Spirits by Isabel Allende
How to Breathe Underwater by Julie Orringer
How the Grinch Stole Christmas by Dr. Seuss
How the Light Gets In by M. J. Hyland
Howl by Allen Gingsburg
The Hunchback of Notre Dame by Victor Hugo
The Iliad by Homer
I’m with the Band by Pamela des Barres
In Cold Blood by Truman Capote
Inherit the Wind by Jerome Lawrence and Robert E. Lee
Iron Weed by William J. Kennedy
It Takes a Village by Hillary Clinton
Jane Eyre by Charlotte Brontë
The Joy Luck Club by Amy Tan
Julius Caesar by William Shakespeare
The Jumping Frog by Mark Twain
The Jungle by Upton Sinclair
Just a Couple of Days by Tony Vigorito
The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander
The Kite Runner by Khaled Hosseini
Lady Chatterleys’ Lover by D. H. Lawrence
The Last Empire: Essays 1992-2000 by Gore Vidal
Leaves of Grass by Walt Whitman
The Legend of Bagger Vance by Steven Pressfield
Less Than Zero by Bret Easton Ellis
Letters to a Young Poet by Rainer Maria Rilke
Lies and the Lying Liars Who Tell Them by Al Franken
Life of Pi by Yann Martel
The Lion, The Witch and The Wardrobe by C.S. Lewis
Little Dorrit by Charles Dickens
The Little Locksmith by Katharine Butler Hathaway
The Little Match Girl by Hans Christian Andersen
Little Women by Louisa May Alcott
Living History by Hillary Rodham Clinton
Lord of the Flies by William Golding
The Lottery: And Other Stories by Shirley Jackson
The Lovely Bones by Alice Sebold
The Love Story by Erich Segal
Macbeth by William Shakespeare
Madame Bovary by Gustave Flaubert
The Manticore by Robertson Davies
Marathon Man by William Goldman
The Master and Margarita by Mikhail Bulgakov
Memoirs of a Dutiful Daughter by Simone de Beauvoir
Memoirs of General W. T. Sherman by William Tecumseh Sherman
Me Talk Pretty One Day by David Sedaris
The Meaning of Consuelo by Judith Ortiz Cofer
Mencken’s Chrestomathy by H. R. Mencken
The Merry Wives of Windsro by William Shakespeare
The Metamorphosis by Franz Kafka
Middlesex by Jeffrey Eugenides
The Miracle Worker by William Gibson
Moby Dick by Herman Melville
The Mojo Collection: The Ultimate Music Companion by Jim Irvin
Moliere: A Biography by Hobart Chatfield Taylor
A Monetary History of the United States by Milton Friedman
Monsieur Proust by Celeste Albaret
A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars
A Moveable Feast by Ernest Hemingway
Mrs. Dalloway by Virginia Woolf
Mutiny on the Bounty by Charles Nordhoff and James Norman Hall
My Lai 4: A Report on the Massacre and It’s Aftermath by Seymour M. Hersh
My Life as Author and Editor by H. R. Mencken
My Life in Orange: Growing Up with the Guru by Tim Guest
My Sister’s Keeper by Jodi Picoult
The Naked and the Dead by Norman Mailer
The Name of the Rose by Umberto Eco
The Namesake by Jhumpa Lahiri
The Nanny Diaries by Emma McLaughlin
Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen
New Poems of Emily Dickinson by Emily Dickinson
The New Way Things Work by David Macaulay
Nickel and Dimed by Barbara Ehrenreich
Night by Elie Wiesel
Northanger Abbey by Jane Austen
The Norton Anthology of Theory and Criticism by William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan
Novels 1930-1942: Dance Night/Come Back to Sorrento, Turn, Magic Wheel/Angels on Toast/A Time to be Born by Dawn Powell
Notes of a Dirty Old Man by Charles Bukowski
Of Mice and Men by John Steinbeck
Old School by Tobias Wolff
Oliver Twist by Charles Dickens
On the Road by Jack Kerouac
One Day in the Life of Ivan Denisovitch by Alexander Solzhenitsyn
One Flew Over the Cuckoo’s Nest by Ken Kesey
One Hundred Years of Solitude by Gabriel Garcia Marquez
The Opposite of Fate: Memories of a Writing Life by Amy Tan
Oracle Night by Paul Auster
Oryx and Crake by Margaret Atwood
Othello by Shakespeare
Our Mutual Friend by Charles Dickens
The Outbreak of the Peloponnesian War by Donald Kagan
Out of Africa by Isac Dineson
The Outsiders by S. E. Hinton
A Passage to India by E.M. Forster
The Peace of Nicias and the Sicilian Expedition by Donald Kagan
The Perks of Being a Wallflower by Stephen Chbosky
Peyton Place by Grace Metalious
The Picture of Dorian Gray by Oscar Wilde
Pigs at the Trough by Arianna Huffington
Pinocchio by Carlo Collodi
Please Kill Me: The Uncensored Oral History of Punk Legs by McNeil and Gillian McCain
The Polysyllabic Spree by Nick Hornby
The Portable Dorothy Parker by Dorothy Parker
The Portable Nietzche by Fredrich Nietzche
The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O’Neill by Ron Suskind
Pride and Prejudice by Jane Austen
Property by Valerie Martin
Pushkin: A Biography by T. J. Binyon
Pygmalion by George Bernard Shaw
Quattrocento by James Mckean
A Quiet Storm by Rachel Howzell Hall
Rapunzel by Grimm Brothers
The Raven by Edgar Allan Poe
The Razor’s Edge by W. Somerset Maugham
Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi
Rebecca by Daphne du Maurier
Rebecca of Sunnybrook Farm by Kate Douglas Wiggin
The Red Tent by Anita Diamant
Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman
The Return of the King by J. R. R. Tolkien
R Is for Ricochet by Sue Grafton
Rita Hayworth by Stephen King
Robert’s Rules of Order by Henry Robert
Roman Fever by Edith Wharton
Romeo and Juliet by William Shakespeare
A Room of One’s Own by Virginia Woolf
A Room with a View by E. M. Forster
Rosemary’s Baby by Ira Levin
Sacred Time by Ursula Hegi
Sanctuary by William Faulkner
Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford
The Scarecrow of Oz by Frank L. Baum
The Scarlet Letter by Nathaniel Hawthorne
Seabiscuit: An American Legend by Laura Hillenbrand
The Second Sex by Simone de Beauvoir
The Secret Life of Bees by Sue Monk Kidd
Secrets of the Flesh: A Life of Colette by Judith Thurman
Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell
Sense and Sensibility by Jane Austen
A Separate Peace by John Knowles
Several Biographies of Winston Churchill
Sexus by Henry Miller
The Shadow of the Wind by Carlos Ruiz Zafon
Shane by Jack Shaefer
The Shining by Stephen King
Siddhartha by Hermann Hesse
S Is for Silence by Sue Grafton
Slaughter-house Five by Kurt Vonnegut
Small Island by Andrea Levy
Snows of Kilimanjaro by Ernest Hemingway
Snow White and Rose Red by Grimm Brothers
Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World by Barrington Moore
The Song of Names by Norman Lebrecht
Song of the Simple Truth: The Complete Poems of Julia de Burgos by Julia de Burgos
The Song Reader by Lisa Tucker
Songbook by Nick Hornby
The Sonnets by William Shakespeare
Sonnets from the Portuegese by Elizabeth Barrett Browning
Sophie’s Choice by William Styron
The Sound and the Fury by William Faulkner
Speak, Memory by Vladimir Nabokov
Stiff: The Curious Lives of Human Cadavers by Mary Roach
The Story of My Life by Helen Keller
A Streetcar Named Desiree by Tennessee Williams
Stuart Little by E. B. White
The Sun Also Rises by Ernest Hemingway
Swann’s Way by Marcel Proust
Swimming with Giants: My Encounters with Whales, Dolphins and Seals by Anne Collett
Sybil by Flora Rheta Schreiber
A Tale of Two Cities by Charles Dickens
Tender Is The Night by F. Scott Fitzgerald
Term of Endearment by Larry McMurtry
Time and Again by Jack Finney
The Time Traveler’s Wife by Audrey Niffenegger
To Have and Have Not by Ernest Hemingway
To Kill a Mockingbird by Harper Lee
The Tragedy of Richard III by William Shakespeare
A Tree Grows in Brooklyn by Betty Smith
The Trial by Franz Kafka
The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson
Truth & Beauty: A Friendship by Ann Patchett
Tuesdays with Morrie by Mitch Albom
Ulysses by James Joyce
The Unabridged Journals of Sylvia Plath 1950-1962 by Sylvia Plath
Uncle Tom’s Cabin by Harriet Beecher Stowe
Unless by Carol Shields
Valley of the Dolls by Jacqueline Susann
The Vanishing Newspaper by Philip Meyers
Vanity Fair by William Makepeace Thackeray
Velvet Underground’s The Velvet Underground and Nico (Thirty Three and a Third series) by Joe Harvard
The Virgin Suicides by Jeffrey Eugenides
Waiting for Godot by Samuel Beckett
Walden by Henry David Thoreau
Walt Disney’s Bambi by Felix Salten
War and Peace by Leo Tolstoy
We Owe You Nothing – Punk Planet: The Collected Interviews edited by Daniel Sinker
What Colour is Your Parachute? 2005 by Richard Nelson Bolles
What Happened to Baby Jane by Henry Farrell
When the Emperor Was Divine by Julie Otsuka
Who Moved My Cheese? Spencer Johnson
Who’s Afraid of Virginia Woolf by Edward Albee
Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire
The Wizard of Oz by Frank L. Baum
Wuthering Heights by Emily Brontë
The Yearling by Marjorie Kinnan Rawlings
The Year of Magical Thinking by Joan Didion

When I last updated this list I had read 54 books. At this point, I have read a total of 63 books from the list. This increase isn’t significant, though I’m still pleased considering that I completely forgot this list even existed until I stumbled upon my initial post recently and decided I should update it. Fingers crossed that I can read even more books from this list in the upcoming year!

Are you a Gilmore Girls fan? How many of these books have you read? Any that you highly recommend? Let me know in the comments section below!

Yours,

HOLLY

A Classic Couple: The Picture of Dorian Gray and The Goldfinch

Weeks ago I made a Top Ten Tuesday post listing pairs of classics and contemporary books. After several people commented with further questions about these pairs, I decided to go through them individually in this weekly feature called A Classic Couple. Today I’ll be sharing similarities between dark, intense, captivating novels: Oscar Wilde’s The Picture of Dorian Gray (1891) and Donna Tartt’s The Goldfinch (2013). 

Atmosphere || Dark. Intense. Ethereal. The atmosphere of these books is similar to that of a twisted fairy tale. Though the writing is beautiful and the characters are witty, there’s nevertheless a looming sensation that something bad is lurking just around the corner.

Art || It’s no surprise from the covers, titles, and synopses of these novels that art is a common thread that runs between them. Both protagonists become obsessed with paintings: Dorian Gray with Basil’s portrait of himself and Theo Decker with a stolen painting that reminds him of his dead mother. These paintings reveal important aspects of the protagonists’ personalities (physically for Dorian and emotionally for Theo).

“Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?”  {from The Goldfinch}

The above quote comes from The Goldfinch, though it could easy fit in with Wilde’s musings on art in beauty in Dorian Gray. As these characters become obsessed with material objects, wealth, and beauty, they become unhappier, self-absorbed, and distanced from reality. Though their obsessions begin simply out of vanity and grief, they gradually become twisted and more complex.

Ambiguity || Dorian and Theo certainly don’t make it easy to wholeheartedly root for them. Between their bad decisions, foolish mistakes, and horrible treatment of others it seems as though they’re begging to be disliked. However, there’s something about these characters that makes it hard to completely discount them. Perhaps it’s because we recognize bits of ourselves in them: our vanity, pride, grief, confusion, and desire. Dorian and Theo may be flawed, but that’s what makes them human.

(Did I purposely use alliteration in these similarities? Maybe.)

What are your thoughts on these books? Are there any other books that seem similar to either of these? Let me know in the comment section below!

Yours,

HOLY

WAR AND PEACE by Leo Tolstoy | Review

It has always been a goal of mine to read Leo Tolstoy’s classic novel War and Peace at some point in my life. Prior to this past summer, I didn’t know much about this book besides that a) it’s HUGE, b) it’s written by a Russian author, and c) it takes place in the early nineteenth century. Little did I know that I would spontaneously embark on a long endeavor to read War and Peace this past summer (on top of all of my actual required reading…). I was motivated to do so when I learned about the War and Peace Newbie Read-A-Long hosted by Laura @ Reading in Bed. It’s so much easier to read such a tome when you know that plenty of bookworms are right beside you.

To be honest, I didn’t expect to enjoy this book. I knew that it would be fascinating at times and that the writing would be brilliant; however, I didn’t think I would find it particularly entertaining or engaging.

I stand corrected, friends.

I never thought I’d be saying this, but War and Peace is a page-turner. Coupled with a large cast of characters, the wide web of interconnected plot lines makes for a suspenseful and gripping read. The length was intimidating at first– my edition is 1156 pages long!– but the way it’s divided into sections helps keep you motivated as you read. I found myself thinking about the characters and what would happen next even when I wasn’t reading– the sure sign of a great book!

My favorite character to follow is Pierre because he has such interesting thoughts about what it means to live a happy, fulfilling life. From his sudden wealth and travels to his initiation into the Freemasons and eventual imprisonment, Pierre experiences enough in this novel to make one’s head spin. In many ways he is the heart and soul of the story.

Tolstoy’s fascinating discussions about history and how it should be told were pleasant surprises. He argues that historians are foolish for focusing primarily on figures who are considered “great heroes” because often they actually had little to do with causing and shaping events. I hadn’t expected these digressions in a work of fiction, though their incorporation makes sense due to the novel’s reliance on historical events.

“If everyone fought for their own convictions there would be no war.”

Reading War and Peace has made me think about history from a different perspective. What role does history play in literature? What role does literature play in history? Are writers historians? If so, are they historians inherently or must they actively choose to be? I love books that make me ask these kinds of questions!

Overall, I was taken aback by how much I enjoyed War and Peace. If you’re at all intimidated by its length or afraid that it is too dull to sit through, I urge you to set those thoughts aside and give it a try! My only regret is not reading Tolstoy’s writing sooner.

Would I recommend it to a friend?: Yes!

What are your thoughts on War and Peace? Have any recommendations for other pieces of Russian literature that I should read? Let me know in the comments section below!

Yours,

HOLLY

A Classic Couple: ON THE ROAD and THE ROAD

At a first glance, it might seem as though the only thing that Jack Kerouac’s On the Road and Cormac McCarthy’s The Road have in common is their similar titles. Though the contexts and genres of these books are very different—the 1940s in the United States vs. a frightening dystopian future—the stories themselves share many themes and ideas.

The road || I’m sure this seems incredibly obvious, but I’m not just talking about the physical road they travel on; rather, I mean the road as a sign of movement in the future and struggle and what lies ahead.

Sense of lawlessness || In On the Road, the “lawlessness” mostly exists because the protagonists want it to; in other words, they simply ignores the rules and norms to which the rest of society adheres. On the other hand, the situation in The Road is a very different story. Without government, authority, and civilization in general there really are no laws to follow anymore. The man and his son must navigate a world where anything could happen.

“Home” is ever-changing || The characters in these books have an understanding that the idea of a “home” can be impermanent and dynamic if you let it be. In other words, home is less of a location and more of a feeling. This mindset is taken on by choice in On the Road and by dire necessity in The Road.

Narration || These novels are written in a sort of stream of consciousness style, as though the existence of paragraph and chapter breaks is almost irrelevant and unnecessary. I had a difficult time putting these novels down because they have such great momentum. It took a little while to get used to the lack of quotation marks and dialogue breaks (especially in The Road) but I think it adds so much to the story overall.

What are your thoughts on On the Road and The Road? Do they remind you of any other books? Have any recommendations? Let me know in the comment section below!

Yours,

HOLLY